Wagner, Richard |
COMPOSER (GERMANY) |
BORN 22 May 1813, Leipzig, Sachsen - DIED 13 Feb 1883, Venezia, Veneto: Palazzo Vendramin BIRTH NAME Wagner, Wilhelm Richard CAUSE OF DEATH heart failure GRAVE LOCATION Bayreuth, Bayern: Villa 'Wahnfried' (in the garden) |
Richard Wagner was born in Leipzig. The man who was officially his father, a clerk at the police court, died when he was very young. His mother soon married the painter Ludwig Geyer and possibly he was Wagner's real father. When he was seven the family moved to Dresden, where he received his first musical education at the Dresdner Kreuzschule. Geyer died when Wagner was only eight years old, but he had already inspired a taste for art in the boy. Under the influence of Goethe and Shakespeare he wrote the tragedy "Leubald und Adelaide" at a very young age. He started a series of diaries around the age of twenty, already convinced of his own genius and his future fame. After attending performances of works by Weber and Beethoven he switched to music. In April 1829 he saw Wilhelmine Schröder-Devrient as Leonore in Beethoven's "Fidelio" and he was deeply impressed. He entered Leipzig University in 1831. After he obtained an engagement as choir director at the Würzburg theatre he started his opera "Die Feen" and he finished it in 1834. In 1836 he married the singer Minna Planer. He went to Königsberg with her to become musical director at the theatre, although at the time Minna was probably more wanted as a leading actress than Wagner was wanted himself. Soon afterwards the theatre went bankrupt and Wagner was left behind without payment. An engagement in Riga followed, but he spent too much money and in 1839 he had to flee from his creditors. Wagner tried to find himself a place in the world of opera in Paris (1839-1842). Although he became friendly with the great Meyerbeer he failed and almost starved to death from poverty. Even so he finished his opera "Rienzi" and when it was performed in Dresden on October 20th, 1842 (with Wilhelmine Schröder-Devrient singing) it was an overnight success. In 1843 it was followed by "Der Fliegende Hollander" ("The Flying Dutchman") and in that same year he was appointed Kapellmeister in Dresden. Although Wagner had a stable income now, his debts rose to enormous heights because he continued to live far beyond his means. In his Dresden years he completed "Tannhäuser" (first performed on 19 Oct 1845) and "Lohengrin". The latter was rejected by the opera in Dresden and was first staged in Weimar in 1850. In 1848 he supported the revolution that was rising in Saxony. The revolution failed and where people like Bakunin were captured, Wagner managed to flee to Jena, to his friend Franz Liszt who had supported his work from an early stage. He had first met Liszt in 1841 in Paris. Wagner initially was little interested in Liszt's compositions, but at a certain point he realized that there was much depth in them. From that point the men were always eager to hear each other's compositions, even when their friendship became clouded by the constant demands of Wagner and by his affair with Liszt's daughter Cosima. Wagner remained in exile until 1860 and during this time Lohengrin turned into a huge success. In 1850 in Zurich he wrote an anti-semitic piece on Jewishness in music which was partly an attack on Meyerbeer. In 1853 he first met Cosima Liszt, the young daughter of Franz Liszt. In Zürich he was supported by Mathilde and Otto Wesendonck and he lived in a cottage behind their villa near Lake Zürich. Mathilde (1828-1902) became his muse and his music to her poems resulted in the 'Wesendonck Lieder'. In 1858 his wife Minna intercepted a love letter to Mathilde and their liaison ended. It is unclear if they were lovers. In 1860 he was granted amnesty in Germany except for Saxony. In 1862 a full amnesty followed. From 1864 onwards king Ludwig II of Bavaria supported him financially. This enabled the production of "Tristan and Isolde", "Die Meistersinger von Nürnberg", "Das Rhinegold" , and "Die Walküre". Wagner's influence on the king was regarded as dangerous and in combination with a personal scandal he was forced to leave Munich. This scandal was his liaison with Liszt's daughter, who had married his conductor and friend Hans von Bülow in 1857. Cosima bore Wagner a daughter in 1865 (Isolde) that was accepted by Von Bülow as his own. From 1866 onwards Wagner lived at Tribschen (near Lucerne) with Cosima. By the time he married her in 1870 they had three children. Their daughter Eva was born in 1867 and their son Siegfried was born in 1869. Wagner devoted himself now to the completion of his epic work "Der Ring des Nibelungen", about a struggle between the gods and mankind. It consisted of four parts, "Das Rheingold", "Die Walküre", "Siegfried" and "Die Götterdämmerung". Under his direction a new theatre was built in Bayreuth (in Bavaria) where his complete Ring was first performed from 13 to 17 Aug 1876. Gounod, Grieg, Tchaikovsky, Saint-Saens and Liszt, they were all there to witness these first Bayreuther Festspiele. Judith Gautier (1845-1917) was also present and she was the master's muse during the event, although it's not clear if there affair was consummated or not. After the Festspiele Judith an intimate correspondence followed. Judith sent her letters to Wagner's barber Schnappauf, but after Cosima caught him burning some of the correspondence early in 1878, they had to put an end to the affair. Wagner continued his writings on musical and political themes, among them 'racial purity'. In 1882 he completed his final opera "Parsifal" in Palermo. It was performed on 25 Jun 1882 in Bayreuth during the second Festspiele. The work had put a serious strain on Wagner and he died of a heart attack on 13 Feb 1883 in Venice. On the morning of his death he had an argument with Cosima after the announcement of a visit by Carrie Pringle, one of the 'flowermaidens' at the festival of 1882. Wagner withdrew to his study and the excitement probably caused the heart attack. Two days before his death he had dreamt of Wilhelmine Schröder-Devrient and told Cosima that the women of his life had passed before his eyes. Wagner was buried in the garden of his villa Wahnfried in Bayreuth. Cosima became the guardian of his work and managed the 'Festspiele' in Bayreuth. She survived him until 1930. His son Siegfried tried hard as a composer, but his opera's were little successful. Siegfried preferred men above women, but pressed by Cosima he married the young Winnifred Williams, who bore him four children. A few months after his mother's passing away Siegfried died from a heart heart attack, like his father. During his life Richard Wagner had several love affairs. Apart from his well known affairs with Judith Gautier and Mathilde Wesendonck he was involved with Jessie Laussot (1829-1905), Mathilde Maier (1833-1910) and Friederike Meyer. He also had a short liaison with Cosima's older sister Blandine and only after her death in 1862 he started his affair with Cosima. Family Mother: Wagner, Johanna Rosina Daughter: Bülow, Isolde von Son: Wagner, Siegfried Daughter: Bülow, Eva von Wife: Liszt, Cosima (1870-1883, Luzern: Matthäuskirche) Wife: Wagner-Planer, Minna (1836-1866, Königsberg: Kirche von Tragheim) Sister: Marbach, Johanna Rosalie Related persons had work performed by Baracchi, Aristide had work performed by Bausewein, Kaspar was admired by Boito, Arrigo employed Brandt, Carl was sculpted by Breker, Arno cooperated with Bülow, Hans von was written about by Chamberlain, Houston Stewart visited Collard, Charles Lukey influenced Cornelius, Peter was admired by Draeseke, Felix August Bernhard was visited by Draeseke, Felix August Bernhard was sculpted by Eberlein, Gustav was admired by Fantin-Latour, Henri employed Fischer, Franz von cooperated with Friedrich-Materna, Amalie was a friend of Georg II, herzog von Sachsen-Meiningen was a friend of Gobineau, Arthur de was supported by Goldmark, Karl employed Gudehus, Heinrich was criticized by Hanslick, Eduard cooperated with Hiller, Ferdinand was admired by Holmès, Augusta employed Humperdinck, Engelbert had work performed by Keilberth, Joseph was a friend of Klindworth, Karl was written about by Kolb, Annette was supported by Laube, Heinrich was the lover of Laussot, Jessie cooperated with Lehmann, Lilli was painted by Lenbach, Franz von was admired by Liszt, Franz was influenced by Liszt, Franz had work performed by Lorenz, Max admired Lüttichau, Ida von knew Makart, Hans met Mallinger, Mathilda is brother/sister of Marbach, Johanna Rosalie had work performed by Marchesi, Blanche was admired by Mendès, Catulle was influenced by Meyerbeer, Giacomo was visited by Meysenbug, Malvida, Freiin von cooperated with Mottl, Felix has a connection with Neumann, Angelo cooperated with Niemann, Albert met Parsons, Albert Ross detested Perfall, Karl Theodor Emanuel Freiherr von was supported by Porges, Heinrich was a friend of Pusinelli, Anton had work performed by Reicher-Kindermann, Hedwig was a friend of Richter, Hans was admired by Rohde, Erwin influenced Schillings, Max von admired Schnorr von Carolsfeld, Ludwig knew Schönaich, Franz von was influenced by Schopenhauer, Arthur admired Schröder-Devrient, Wilhelmine created works that weren't liked by Schumann, Clara knew Spyri, Johanna quarreled with Strauss, Franz Joseph was written about by Strobel, Otto knew Tausig, Karl had work performed by Tichatscheck, Joseph Aloys visited Viardot-Garcia, Pauline has a connection with Wallem, Helena was influenced by Weber, Carl Maria von had a relationship with Wesendonck, Mathilde was supported by Wesendonck, Otto was a friend of Wilhelmj, August cooperated with Wilhelmj, August Events |
0/0/1828 | Wagner completes his tragedy "Leubald und Adelaide". He was influenced by Goethe and Shakeaspeare. After completing it he decided to occupy himself with music. Within half a year he would conduct and write operas.  |
0/4/1829 | Wagner sees Wilhelmine Schröder-Devrient in Beethoven's Fidelio. She played the part of Leonore. Wagner, who was sixteen years old, was deeply impressed. [Schröder-Devrient, Wilhelmine] |
24/12/1830 | Richard Wagner's "Overture in B major" is performed in Leipzig. His name wasn't mentioned.  |
25/12/1831 | Richard Wagner's "Concert Overture in d minor" is performed at the Gewandhaus in in Leipzig. It was stronly influenced by the work of Beethoven and it was probably conducted by Heinrich Dorn.  |
3/2/1832 | Richard Wagner completes the overture to Raupach's "König Enzio"  |
23/2/1832 | Wagner's "d-Moll-Ouverture" is performed at the Gewandhaus in Leipzig  |
0/1/1833 | Richard Wagner is appointed choir director in Würzburg for six months. He received only 10 guilders a month for which he rented a room. During his time in Würzburg het started composing his opera "Die Feen".  |
22/12/1841 | Premiere of Halévy's "La reine de Chypre" at the Salle Le Peletier in Paris. The libretto was by Jules-Henri Vernoy de Saint-Georges. Rosine Stolz performed the title part of this grand opera and Gilbert Duprez was Gérard. Joseph Mazilier was the choreographer. Adéle Dumilâtre, Natalie Fitzjames and Pauline Leroux were in the ballet. Richard Wagner was in the audience. [Halévy, Fromental] |
20/10/1842 | Premiere of Richard Wagner's opera "Rienzi" in Dresden. It was a huge succes. Wilhelmine Schröder-Devrient was Adriano and Joseph Tichatschek was Rienzi. [Reissiger, Carl Gottlieb][Schröder-Devrient, Wilhelmine][Tichatscheck, Joseph Aloys] |
2/1/1843 | Premiere of Richard Wagner's opera "Der Fliegende Holländer" in Dresden. The premiere was supposed to take place in Berlin but eventually it was at the Royal Court Theatre in Dresden. Wagner was the conductor. Wilhelmine Schröder-Devrient was Senta and Johann Michael Wächter was the Dutchman. [Schröder-Devrient, Wilhelmine] |
2/2/1843 | Richard Wagner is appointed Royal Court Conductor of Saxony  |
15/12/1844 | Carl Maria von Weber is reburied in Dresden. Richard Wagner, who had known him as a child and was now the musical director in Dresden, held a speech at the new grave at the Catholic Cemetery. [Weber, Carl Maria von] |
0/12/1845 | Richard Wagner sees Jenny Lind in Berlin in "Don Giovanni" and in "Norma". [Lind, Jenny] |
5/4/1846 | Richard Wagner conducts Beethoven's sixth symphony in Dresden. The performance took place at the Old Opera House. [Beethoven, Ludwig van] |
16/2/1849 | Liszt conducts the premiere of Wagner's Tannhäuser in Weimar. An earlier version was first performed in Dresden in 1845. In 1849 Wagner was in exile in Switzerland. [Liszt, Franz] |
13/5/1849 | Wagner arrives in Weimar. He had been forced to flee from Dresden and in Weimar he attented a probe of his Tannhäuser that was conducted by Franz Liszt. Then news arrived that Wagner would be prosecuted and he left Weimar. [Liszt, Franz] |
16/3/1850 | Richard Wagner arrives in Bordeaux. He had been invited by Jessie Laussot to visit her and her husband. Soon he and Jessie became lovers. [Laussot, Jessie] |
18/5/1850 | Richard Wagner returns to Bordeaux. He went to the Hôtel des 4 Soeurs. He wanted a confrontation with the husband of his mistress Jessie Laussot but he soon found out that Laussot and his wife had left the city. In June she sent him a message that she would never see him again. It seems they met again in 1876. [Laussot, Jessie] |
28/8/1850 | Premiere of the opera "Lohengrin" by Richard Wagner in Weimar conducted by Franz Liszt. Richard Wagner had finished the opera early in 1848 but after his revolutionary activities he had been forced to leave Dresden in 1849. Liszt staged the opera in Weimar. Wagner was in exile at the time and couldn't attend. The opera was a success although the lead tenor Karl Beck disappointed. [Liszt, Franz][Milde, Hans Feodor von][Milde-Agthe, Rosa von] |
0/5/1853 | Richard Wagner conducts several concerts in Zürich  |
10/5/1853 | Liszt, Wagner and Berlioz meet at Liszt's hotel in Paris. The next day, in the presence of Wagner, Berlioz sang at breakfast and Liszt played excerpts from "Benvenuto Cellini". [Berlioz, Hector][Liszt, Franz] |
4/9/1853 | Richard Wagner arrives in La Spezia. He had travelled by steamship from Genua and arrived exhausted in La Spezia. The next day he was so tired that he felt he was sinking in strongly flowing water and he stated that this was the inpiration for the preluded to "Das Rheingold".  |
6/10/1853 | Liszt visits Wagner in Basel. With him was a group of supporters, among them Hans von Bülow. They came from Karlsruhe where the music festival had taken place and they stayed until Saturday. [Bülow, Hans von][Liszt, Franz] |
10/10/1853 | First meeting between Richard Wagner and Cosima Liszt [Liszt, Cosima] |
0/3/1855 | Richard Wagner conducts eight concerts in London. The concerts took place between March and May, 1855.  |
20/6/1855 | Wagner and Berlioz dine together at the flat of Prosper Sainton in London. They had their differences and the diner and a few other meetings brought them closer. They wrote positive accounts of their meetings to Franz Liszt who very much wanted them to get along well. However, they were again reserved regarding each other afterwards. [Berlioz, Hector] |
18/2/1856 | Berlioz and Marie Recio walk out during a performance of Wagner's "Lohengrin" conducted by Liszt in Weimar. It happened on 18 February of shortly afterwards. It was the first time Berlioz heard Wagner's music. Although Berlioz and Recio attented the full second performance on 24 February it clouded the friendship between Liszt and Berlioz. [Berlioz, Hector][Liszt, Franz][Recio, Maria] |
0/8/1858 | Richard Wagner moves to Venice. He had separated from his wife Minna and hye lived there from August 1858 to March 1859. He worked on "Tristan and Isolde". As a former revolutionary he was watched by the police. On 1 February he was expelled from Austria, but he deadline was extended and he completed the score of Act II of "Tristan and Isolde". Amnesyty in Dresden was refused and he left Venice in March and travelled in Europe. In November 1861 he returned to Venice for four days.   |
0/7/1860 | Act Two of Wagner's Tristan und Isolde is performed at the house of Pauline Viardot. It was performed by Pauline Viardot, Richard Wagner himself and Karl Klindworth. Hector Berlioz and Marie Kalergis, in whose honour the event was organised, were present. [Berlioz, Hector][Klindworth, Karl][Viardot-Garcia, Pauline] |
2/2/1861 | Ludwig II of Bavaria attends Wagner's opera "Lohengrin". Ludwig was much impressed.  |
13/3/1861 | Premiere of Richard Wagner's "Tannhäuser" in Paris. Urged by the members of the Jockey Club, Wagner had added a ballet to his opera. However, Wagner let the ballet start immediately after the ouverture, while it was known that the gentlemen were only present from the second act because they first finished their diners. The performance was disturbed by booing. Hector Berlioz was in the audience. After three performances "Tannhäuser" was over in Paris. [Berlioz, Hector][Niemann, Albert] |
15/5/1861 | Richard Wagner attends the staging of "Lohengrin" at the Court Opera in Vienna  |
8/2/1862 | Richard Wagner moves to Biebrich. He was once more in financial difficulties and he rented two rooms in a villa built by the architect Frickhöfer at the Rheingaustrasse 137 near Schloss Biebrich. It was also near his publisher Schott in Mainz. He worked there on his future opera "Die Meistersinger von Nürnberg" and he was visited by Hans and Cosima von Bülow. He left Biebrich in November. [Bülow, Hans von][Liszt, Cosima] |
1/11/1862 | Hans and Cosima von Bülow meet Richard Wagner in Leipzig. There was a concert where Hans von Bülow would play Liszt's new piano concert and Wagner would conduct the Tannhäuser ouverture and a new prelude to "The Meistersinger". Wagner's young friend Wendelin Weissheimer would also present his work. Wagner later stated in his autobiography that at this day he experienced his first feelings for Cosima and that he hardly noticed the music. [Bülow, Hans von][Liszt, Cosima] |
26/12/1862 | The empress Elisabeth attends the first concert conducted by Richard Wagner in Vienna. It was the first time Wagner conducted a concert in Vienna. He didn't like conducting because it distracted him from composing, but he urgently needed the money. He also hoped to arrange a performance of "Tristan und Isolde" in Vienna. [Elisabeth von Bayern, Kaiserin von Österreich] |
6/1/1863 | Premiere of Brahm's "Piano Sonata 3" in Vienna. He played it himself. Richard Wagner was in the audience. [Brahms, Johannes] |
11/1/1863 | The empress Elisbeth attends the third Wagner concert in Vienna. She had also attended the first concert Wagner conducted in Vienna. She missed the second concert on 1 Jan 1863. [Elisabeth von Bayern, Kaiserin von Österreich] |
8/2/1863 | Richard Wagner conducts his own music in Prague. Antonin Dvorak was a member of the orchestra. [Dvorak, Antonin] |
0/3/1863 | Richard Wagner arrives in Moscow for three concerts. He came from St. Petersburg and returned there after his stay in Moscow. He met Nikolaus Rubinstein. He also visited the Kremlin but it didn't impress him at all.  |
2/3/1863 | Richard Wagner conducts concerts in Saint Petersburg. In March he went to Moscow for three concerts and after that he gave more concerts in Saint Petersburg in April 1863.  |
12/5/1863 | Richard Wagner moves to Penzing near Vienna  |
28/11/1863 | Richard Wagner and Cosima Liszt become lovers. Wagner was staying in Berlin because Cosima's husband Hans von Bülow had asked him to attend a concert. When Von Bülow was busy with the repititions Wagner and Cosima made a coach ride during which they confessed to each other that they belonged together. That night Wagner was staying in Von Bülow's house. [Bülow, Hans von][Liszt, Cosima] |
4/5/1864 | First meeting between Ludwig II of Bavaria and Richard Wagner  |
10/4/1865 | Hans von Bülow conducts the first repetition of "Tristan und Isolde". On the same day his wife Cosima bore a daughter, that was named Isolde. Isolde's father was Richard Wagner, the composer of "Tristan and Isolde". [Bülow, Hans von][Bülow, Isolde von][Liszt, Cosima] |
10/6/1865 | Premiere of Richard Wagner's "Tristan Und Isolde" in Munich. Hans von Bülow was the conductor. "Tristan und Isolde" was refused in Paris, Vienna and Karlsruhe because it would be 'impossible to perform'. The performance started at six and ended shortly before midnight. Ludwig Schnorr von Carolsfeld was Tristan and his wife Malvina was Isolde. King Ludwig II of Bavaria was there. [Bülow, Hans von][Garrigues, Eugenia Malvina][Possart-Deinet, Anna von][Schnorr von Carolsfeld, Ludwig] |
10/12/1865 | Richard Wagner is forced to leave Munich. Wagner's presence was now unwanted because he was suspected to influence king Ludwig II, who had given him a lot of money.  |
24/10/1867 | Wagner completes his opera "Die Meistersinger von Nürnberg"  |
21/6/1868 | Premiere of Wagner's "Die Meistersinger von Nünberg". It was staged in Munich in the presence of King Ludwig II of Bavaria. Hans von Bülow was the conductor. Ludwig insisted that Wagner would sit next to him in the royal box. After the first act the public was very enthousiastic and demanded to see the composer. But Wagner didn't show himself. Only after the last act he rose to accept the ovation of the public. This caused a scandal because it was considered inappropriate that a composer received the honours of the public standing next to the king. [Bausewein, Kaspar][Bülow, Hans von][Diez-Hartmann, Sophie][Mallinger, Mathilda][Strauss, Franz Joseph] |
22/9/1869 | Premiere of Richard Wagner's "Das Rheingold" in Munich. Franz Wüllner was the conductor. August Kindermann was Wotan, Heinrich Vogl was Loge, Sophie Stehle was Fricka, Henriette Müller-Marion was Freya,. Other parts were sung by Franz Nachbaur, Emma Seehofer, Max Schlosser, Kasper Bausewein, Anna Kaufmann, Therese Vogel, Karl Samuel Heinrich and Wilhelmine Ritter. [Bausewein, Kaspar][Vogl, Heinrich][Vogl, Therese] |
26/6/1870 | Premiere of Wagner's "Die Walküre" at the Hoftheater in Munich. Wagner wanted to stage it in 1871, but Ludwig II of Bavaria was the legal owner of the piece and didn't want to wait. Wüllner was the conductor and Joachim, Brahms, Saint-Saëns and Liszt were in the audience. Wagner wasn't there and Ludwig also stayed away. He had decided to wait for the second performance so that he would be able to see "Das Rheingold", that would be staged again during the summer, and "Die Walküre" in the right order. [Bausewein, Kaspar][Brahms, Johannes][Joachim, Joseph][Liszt, Franz][Possart-Deinet, Anna von][Saint-Saëns, Camille][Vogl, Heinrich][Vogl, Therese] |
5/2/1871 | Wagner completes his opera "Siegfried"  |
12/5/1871 | Richard Wagner announces to build his own theatre in Bayreuth. He didn't want to stage his "Ring" in Munich as originally planned because the Court Theatre was not fit for the purpose. This was reason enough for Wagner to build his own theatre.  |
1/11/1871 | Wagner's "Lohengrin" is performed at the Teatro Communale di Bologna. It was the first time that a work by Wagner was perfomed in Italy. The local press protested against it, but the city council allowed it. The Viennese music critic Ernst Frank was in the audience. Wagner's start would soon rise in Italy and he was made a honorary citizen of Bologna in 1872.  |
22/5/1872 | The first stone is laid for Richard Wagner's Festspielhaus in Bayreuth. It took place on Wagner's 59th birthday. It had cost him much effort to find the funding for the theatre in which he wanted to perform his Ring. Fransz Liszt took part in the ceremony. On this occasion the first meeting between Malwida von Meysenbug and Friedrich Nietzsche took place. [Liszt, Franz][Meysenbug, Malvida, Freiin von] |
0/9/1873 | Bruckner visits Wagner in Bayreuth. Bruckner asked Wagner if he could dedicate his third symphony to him and Wagner approved his request.  |
28/4/1874 | Richard Wagner moves into his villa Wahnfried in Bayreuth  |
21/11/1874 | Wagner completes his opera "Götterdämmerung". This was the last of the four parts of his "Ring".  |
0/3/1875 | Festival in honour of Wagner at Makart's studio in Vienna. Franz Liszt played the piano and Arnold Böcklin attended the festival. [Böcklin, Arnold][Liszt, Franz][Makart, Hans ] |
12/6/1875 | Wagner's "Lohengrin" is staged at Drury Lane in London  |
11/5/1876 | Last meeting between Wagner and Nietzsche. They were both in Sorrento and would be estranged afterwards.  |
13/8/1876 | Premiere of Wagner's "Ring" in Bayreuth starting with "Das Rheingold". It was performed from August 13th to August 17th. "Das Rheingold" had its premiere in Munich in 1869, but this time the entire "Ring" was performed. Many illiustrious persons were present, among them Emperor Wilhelm I of Germany and King Ludwig II of Bavaria. On the 13th "Das Rheingold" was performed. Among the singers were Franz Betz, Heinrich Vogl, Friederike Grün, Marie Haupt, Eugen Gura, Georg Unger, Louise Jaide, Karl Hill, Max Schlosser, Albert Eilers, Franz von Reichenberg, Lilli Lehmann, Marie Lehmann and Minna Lammert. [Friedrich-Materna, Amalie][Lehmann, Lilli][Lehmann, Marie][Richter, Hans][Vogl, Heinrich][Wilhelm I, emperor of Germany] |
14/8/1876 | Wagner's "Die Walküre" performed in Bayreuth as second part of the full "Ring". Hans Richter was the conductor. Among the singers were Albert Niemann, Josephine Schefsky, Franz Betz, Friederike Grün, Amelie Materna, Marie Haupt, Lilli Lehmann, Marie Lehmann, Luise Kaide, Johanna Jachmann-Wagner, Hedwig Reicher-Kindermann and Minna Lammert. [Friedrich-Materna, Amalie][Lehmann, Lilli][Lehmann, Marie][Niemann, Albert][Reicher-Kindermann, Hedwig][Richter, Hans] |
16/8/1876 | Premiere of Richard Wagner's opera "Siegfried" in Bayreuth as third part of the "Ring". "Siegfried" was the third part of his "Ring des Nibelungen" and this part was performed for the first time. Hans Richter was the conductor. Among the singers were George Unger, Max Schlosser, Franz Betz, Karl Hill, Franz von Reichenberg, Marie Haupt, Luise Jaide and Amalie Materna. [Friedrich-Materna, Amalie][Richter, Hans] |
17/8/1876 | Premiere of Wagner's "Götterdämmerung" in Bayreuth as the fourth part of his "Ring". Hans Richter was the conductor. The singers were George Unger, Amalie Materna, Eugen Gura, Mathilde Weckerlin, Gustav Siehr, Kal Hill, Luise Jade, Jahanna Jachmann-Wagner, Josephine Schefsky, Friederike Grün, Lilli Lehmann, Marie Lehmann and Minna Lammert. [Friedrich-Materna, Amalie][Lehmann, Lilli][Lehmann, Marie][Richter, Hans] |
19/4/1877 | Wagner completes the textbook of "Parsifal"  |
24/1/1878 | First performance of Wagner's "Ring" in Vienna starting with "Das Rheingold". Like in Bayreuth in 1876 the conductor was Hans Richter. [Reicher-Kindermann, Hedwig][Richter, Hans] |
12/11/1880 | Last meeting between Richard Wagner and King Ludwig II of Bavaria  |
25/4/1881 | Richard Wagner completes Act I of "Parsifal"  |
11/5/1881 | Richard Wagner receives Arthur Gobineau in Bayreuth [Gobineau, Arthur de] |
20/10/1881 | Richard Wagner finishes Act II of "Parsifal"  |
5/11/1881 | Wagner arrives at the Hôtel des Palmes in Palermo. He had travelled from Munich to Verona and then from Napoli to Palermo. His family was with him and they occupied rooms 24, 25 and 26.  |
13/1/1882 | Wagner completes "Parsifal" in Palermo  |
15/1/1882 | Auguste Renoir sketches Richard Wagner in Palermo. Wagner didn't like sitting for him. Renoir later used the sketches for his oil painting of Wagner.  |
12/2/1882 | Richard Wagner plays part of "Das Rhinegold" on the piano in Venice. He would die the next day at the Palazzo Vendramin.  |
28/3/1882 | Richard Wagner suffers a heart attack in Palermo. He survived the heart attack and on 2 April he was able to make a daytrip to Taormina.  |
2/4/1882 | Richard Wagner visits Taormina. He had sufficiently recovered from his heart attack on March, 28th. His wife Cosima was with him. [Liszt, Cosima] |
10/4/1882 | Richard Wagner and his family leave Acireale for Messina  |
14/4/1882 | Richard Wagner and his family arrive in Naples  |
1/5/1882 | Richard Wagner returns to Bayreuth. He had completed his final opera "Parsifal" in Palermo.  |
26/7/1882 | Premiere of Wagner's "Parsifal" in Bayreuth. It was Wagner's last work and it would be staged another sixteen times that year until the end of August. Hermann Levi was the conductor, but during the last performance Wagner conducted the last act himself. It was the only time he appeared as a conductor in Bayreuth. Hermann Winkelmann was Parsifal, Theodor Reichmann was Amfortas, Emil Scaria was Gurnemanz, August Kindermann was Titurel; Karl Hill was Klingsor, Amalie Materna was Kundry. Anton Fuchs and Eugen Stumpf were Gralritters. Hermine Galfy, Mathilde Keil, Max Mikorey and Adolf van Hübbenet were the Knappen. Sophie Dompierre perormed the alt solo. The Zaubermädchen were Pauline Horson, Johanna Meta, Carrie Pringle, Johanna André, Hermine Galfy and Luise Belse. [Friedrich-Materna, Amalie] |
14/9/1882 | Richard Wagner returns to Venice. The first days he stayed at the Hotel Europa.  |
16/9/1882 | Richard Wagner moves into the Palazzo Vendramin in Venice. He had rented an entire floor from Count Bardi.  |
24/12/1882 | Richard Wagner conducts a private concert in Venice. It took place at the Apollinee rooms of the Fenice theatre to celebrate the birthday of his wife Cosima. At the time Franz Liszt was visiting them in Venice and he and Wagner were often seen sitting together from the Grand Canal in front of the large window. Liszt was present at this occasion. Requested by Wagner, he played an aria by Rossini. [Liszt, Cosima][Liszt, Franz] |
18/2/1883 | Richard Wagner is buried in the garden of his house Wahnfried in Bayreuth  |
11/5/1897 | Rudolf Mahler stages Wagner's "Lohengrin" at the Court Opera in Vienna. He was first engaged as musical director at the Court Opera and this was his first production. Hermann Winkelmann was Lohengrin and Louise Ehrenstein was Elsa. [Mahler, Gustav] |
0/5/1899 | Lilli Lehmann sings the part of Brünnhilde at the Maifestspiele in Wiesbaden. Wagner's entire "Ring des Nibelungen" was performed during that year. After that she also sang the part of Irmentraut in Lortzing's "Waffenschmied". She had also been a guest at the Maifestspiele in 1896 and she remembered them with pleasure in her autobiography. [Lehmann, Lilli][Lortzing, Albert] |
1/10/1903 | The Richard Wagner monument in Berlin is unveiled. It was created by Gustav Eberlein. The monument was commisioned by Ludwig Leichner, a manufacturer of cosmetics. [Eberlein, Gustav] |
24/12/1903 | First performance of "Parsifal" outside Bayreuth at the Metropolitan Opera in New York . The European copyright wasn't valid in the USA and the Metropolitan Opera in New York staged the opera against the wishes of Cosima Wagner. The MET used a publication of the opera by the publisher Schott. [Liszt, Cosima] |
29/3/1918 | Cosima plays the Steinway piano in Bayreuth for the first time since Richard Wagner's death. She played parts of the "Siegfried-Idyll" because of the birth of Wagner's first grandson Wieland. "The Siegfried-Idyll" was composed by Wagner after his son Siegfried was born. Afterwards Cosima would never play the Steinway again. [Liszt, Cosima][Wagner, Wieland] |
29/7/1951 | Opening of the first Festspiele in Bayreuth after the Second World War. After the Second World War, the Festspielhaus in Bayreuth stood under American command. After a while the Americans granted the Wagner family permission to resume the Festspiele. Winifred Wagner wasn't allowed to return to her post as director. She was succeeded by her son Wieland Wagner. [Wagner, Wieland][Wagner-Williams, Winnifred] |
Sources Blunt, Wilfrid, The Dream King, Penguin Books, Harmondsworth, 1973 Desing, Julius, King Ludwig II - His Life - His End, 1976 Vincent, Benjamin, Haydn's Dictionary of Dates, and Universal Information, Ward, Lock & Co, London, 1906 Eger, Manfred, Richard-Wagner-Museum Bayreuth, 1995 Gutman, Robert, Richard Wagner, Der Mensch, sein Werk, seine Zeit, Wilhelm Heyne Verlag, München, 1989 Kröplin, Eckart, Richard Wagner Chronik, J.B. Metzler, Stuttgart, 2016 Marek, George R., Cosima Wagner, Ein Leben für ein Genie, Knaur, München, 1993 Prahacs, Margit, Franz Liszt, Briefe aus Ungarischen Sammlungen 1835-1886, Bärenreiter, Kassel, 1966 Reeth, Adelaïde van & Guido Peeters, Herinneringen in Steen, De Haan/Unieboek, Houten, 1988 Time Table of History, Xïphias, 1992 Wagner, Friedelind, Nacht über Bayreuth, Die Geschichte der Enkelin Richard Wagners, List Taschenbuch, München, 2002 Villa Wahnfried (Wagner Museum), Bayreuth Winkler Prins Encyclopedie (editie 1909), 1909 Klassische Musik - aus Deutschland - Goethe-Institut GHDI - Image The Hector Berlioz Website: Berlioz and Liszt The Hector Berlioz Website: Berlioz and Wagner Richard Wagner in Sicily 1881–1882 | Wagneropera.net Richard Wagner in Sicily 1881–1882 | Wagneropera.net Das Rheingold – Wikipedia 1863 in music - Wikipedia Die Walküre - Wikipedia Götterdämmerung - Wikipedia Lohengrin (opera) - Wikipedia Siegfried (opera) - Wikipedia Der fliegende Holländer - Wikipedia Richard Wagner - herrrothwandertwieder Österreichische Mediathek Walk of Wagner Moskau / St. Petersburg - richard-wagner.org Venedig - richard-wagner.org Biebrich - richard-wagner.org La Spezia - richard-wagner.org Why Did Nietzsche Break With Wagner? Lehmann, Lilli (Elisabeth Maria), verheiratete Lehmann-Kalisch | Landeshauptstadt Wiesbaden La reine de Chypre - Wikiwand |