|PLAYWRIGHT, POET, ACTOR (GERMANY)|
BORN 24 Jul 1864, Hannover, Niedersachsen - DIED 9 Mar 1918, München, Bayern|
REAL NAME Wedekind, Benjamin Franklin
GRAVE LOCATION München, Bayern: Waldfriedhof (017-W-88)
Frank Wedekind was born in Hanover as the son of the physician F.W. Wedekind. His father, an American citizen, was opposed to the new German empire and the family moved to Lenzburg in Switzerland in 1871. Because of trouble at school Frank was educated privately. In 1884 he started to study Literature in Lausanne but according to his father's wishes he went to Munich to study Law.
In 1885 he wrote some poetry, some prose and a comedy. After he quarreled with his father he worked for the press agency Maggi & Co. In 1888 his father died and Wedekind settled in München. In 1891 he finished his play "Frühlings Erwachen. Eine Kindertragödie". After travelling to Paris, London and Berlin he publsied "Der Erdgeist. Tragödie in vier Aufzügen" in 1895. In 1896 he joined the staff of the "Simplicissimus" magazine in Munich. In the same year he had an affair with Frida Strindberg, whose marriage to August Strindberg was failing. In 1897 a son was born, Friedrich.
In 1897 his "Erdgeist" was performed in Leipzig, but Wedekind fled to Zürich in 1898 after he had insulted Wilhelm II in his writings for "Simplicissimus". He returned to Germany in 1899 to serve six months in prison at Königstein near Dresden, where Thomas Theodor Heine was imprisoned as well at the time.
On 22 May 1902 he had another son by house maid Hildegard Zellner, Frank Zellner. This son probably never saw his father. Wedekind had spent his inheritance and from 1902 onwards he acted in his own plays to make a living. But often his work was censored or forbidden. It was regarded as pornographical because he used themes like sexual freedom and man's instincts.
In 1906 he married the young actress Tilly Newes. She had jumped into the Spree in Berlin after he had insulted her and the next day he proposed to her. It was a difficult marriage, but together they acted in his plays and they had two daughters, Pamela (1906) and Kadidja (1911). They moved to Munich where Wedekind was at the centre of a intellectual circle at the Torggelstube near the Hofbrauhaus.
In 1912 his work was performed at Max Reinhardt's Deutschem Theater. The censors still haunted him, but by now he slowly became famous and the public was curious to see him and Tilly perform. But Wedekind was a jealous man and he couldn't cope with getting older. His health failed and he frequently threatened to leave his young wife. Tilly tried to commit suicide in December 1917, but she survived.
Their marriage had fallen apart, but before the divorce was final Wedekind died after an operation. After the First World War his work was performed all over Germany. Alban Berg based his opera Lulu (1934) on Wedekind's work "Die Büchse der Pandora".
Daughter: Wedekind, Pamela
Daughter: Wedekind, Kadidja
Wife: Wedekind, Tilly (1906-1918, Berlin: Moabit)
knew Bahr, Hermann
knew Bergner, Elisabeth
has a connection with Delvard, Marya
had work performed by Eysoldt, Gertrud
knew Harden, Maximilian
cooperated with Kraus, Karl
was a friend of Monaco, Marietta di
knew Orloff, Ida
was a friend of Ploetz, Alfred
cooperated with Reinhardt, Max
knew Sandrock, Adele
has a connection with Wille, Bruno
|29/5/1905||Private performance in Vienna of Frank Wedekind's "Die Büchse der Pandora". The play was first performed at 1 Feb 1904 at the Intime Theater in Nürnberg, but banned by the German censors afterwards. Karl Kraus organised a private performance at the Trianon Theatre in Vienna. Tilly Newes played Lulu and Albert Heine played Schigolg and was the director. Adele Sandrock had the part of Gräfin Geschwitz, Ida Orloff was Kadidja di Santa Croce and Karl Kraus was Kungu Pote. Wedekind himself played the murderer Jack. [Kraus, Karl][Orloff, Ida][Sandrock, Adele][Wedekind, Tilly]|
|20/11/1906||Premiere of "Frühlings Erwachen" by Frank Wedekind at the Berliner Kammerspiele. It was directed by Max Reinhardt and (uncredited) Hermann Bahr. [Bahr, Hermann][Eysoldt, Gertrud][Reinhardt, Max][Steinrück, Albert]|
|17/11/1917||First performance of Frank Wedekind's 'Schloss Wetterstein'. At the Pfauentheater in Zürich. Wedekind was Tschamper and Elisabeth Bergner was Effie. [Bergner, Elisabeth]|
|28/3/1929||Performance of Frank Wedekind's "Der Marquis von Keith" in honour of the recently deceased Albert Steinrück. It took place at the Schauspielhaus at the Gendarmemarkt in Belrin. Director was Leopold Jessner and Heinrich Mann speeched. Among the participating actors were Heinrich George, Werner Krauss, Carola Neher, Tilla Durieux, Jakob Tiedtke, Conrad Veidt, Max Pallenberg, Elisabeth Bergner, Paul Wegener, Hans Albers, Käthe Dorsch and Veit Harlan. [Albers, Hans][Bergner, Elisabeth][Brausewetter, Hans][Dietrich, Marlene][Durieux, Tilla][George, Heinrich][Goetz, Curt][Körber, Hilde][Kortner, Fritz][Krauss, Werner][Mann, Heinrich][Pallenberg, Max][Steinrück, Albert][Veidt, Conrad][Wedekind, Tilly][Wegener, Paul]|
Regnier, Anatol, Du af deinem höchtsten Dach, Tilly Wedekind und ihre Töchter, BTB Verlag, 2005
Regnier, Anatol, Frank Wedekind, Eine Männertragödie, BTB, München, 2008
Schriftsteller Lexikon, VEB Bibiographisches Institut Leipzig, Leipig, 1990
Diskussion:Frank Wedekind â€“ Wikipedia
Albert Steinrück: Abschiedsvorstellung am Gendarmenmarkt
LeMO Biografie - Biografie Frank Wedekind
Wedekind: "Die Büchse der Pandora"