Collins, Charles Allston |
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BORN 25 Jan 1828, London: Hampstead - DIED 9 Apr 1873 GRAVE LOCATION London: Brompton Cemetery, Old Brompton Road, West Brompton (E) |
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Son of landscape painter William Collins RA and younger brother
of writer Wilkie Collins. His paintings were conventional until
in 1850 he changed his style under influence of his friend Millais.
Without being a formal member of the Preraphaelite Brotherhood
he was close to several members. His most important painting is "Convent Thoughts", which was exhibited at the Royal Academy in 1851 along with paintings by Millais and Hunt. They were attacked savagely by the critics. John Ruskin wrote a letter to The Times (May 13th, 1851) in which he defended Collins. "Convent Thoughts" is now at the Ashmolean Museum, Oxford. Charles had so many trouble finishing his paintings (caused by both mental and physical reasons) that in 1857 he decided to try his hand on writing instead. He published a novel, "The Bar Sinister", but he hardly managed to earn a living and the couple had to be supported financially by Dickens and his brother Wilkie. The religious Collins married Kate, the daughter of Charles Dickens, who was a close friend of his worldly brother Wilkie. Clouds came over the marriage when Charles' health detoriated further and Dickens began to dislike him, probably because he was rumoured to have known to be impotent before he married. Kate confirmed towards the end of her life that 'he ought never to have married'. After a long struggle against cancer Charles died in 1873, surrounded by his half-finished paintings. Family Wife: Dickens, Kate Macready Related persons was a friend of Hunt, William Holman was a friend of Millais, John Everett Sources The Pre-Raphaelite Collection, 2000 Clarke, William M., The Secret Life of Wilkie Collins, Allison & Busby/W.H. Allen, London, 1988 Peters, Catherine, The King of Inventors, A Life of Wilkie Collins, Seeker & Warburg, London, 1991 |